But wait, there’s more . . .

Some more playing around with photographs from my overseas trip. This time from N.Y.C.

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Brooklyn Bridge N.Y.C. 2009

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Flatiron Building N.Y.C. 2009

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Yellow Cabs N.Y.C. 2009

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Statue Of Liberty N.Y.C. 2009

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Chrysler Building N.Y.C. 2009

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But is it Art?

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Near Cardiff  2009

It is an often heard tenet that says “digital manipulation software cannot save what is a crappy photograph to start with”.

With some time on my hands, I thought I might explore Nik Software’s Silver Effects Pro further. I had mostly just used the presets, and due to spending a lot of time learning to work with Adobe Camera Raw and non destructive work flows as part of my studies, I had pretty much forgotten about it.

I decided I would revisit some photographs that I took a few years ago in Wales, some of which were a bit ordinary in their original form.

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I had quite a lot of fun getting to know the various settings in Silver Effects Pro which are quite extensive and, to my eye, rather sophisticated. It really is a case where what can be achieved is only limited by one’s imagination.

I do occasionally like to emulate the look of black and white film (Tri-X was always a favourite) which is what I was aiming for here.

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Cardiff Castle 2009

So, I find myself asking myself ‘have I managed to save a crappy photo simply by applying some digital manipulation?’

I think the answer to this is something like, ‘well if I were shooting exactly the same scene on B&W film I would probably have ended up with something very similar.’

Of course retouching out the people in the scene would not have been anywhere near as simple.

Another question I think pertinent is, ‘what about the integrity of the image?’ (does it matter?!)

And, of course, there’s the age old dilemma (well, as old as photography anyway) “is it Art?”

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Near Cardiff  2009

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Near Cardiff  2009

(Some viewers may wonder why, as this is a post about Black and White, that the images within contain colour. It is because I create a B&W image in Silver Effects which becomes a layer in Photoshop which I then blend with the original colour layer.)

Oils ain’t Oils (no more)

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Peter Garrett 1983

For a number of years I worked for Roadrunner, an Adelaide-based rock music paper. It was a great time for photographing all the major shows that came through town as there was not the ‘three songs and you’re out’ rule that applies today.

I was a big Midnight Oil fan – I believed them to be one of the greatest live bands anywhere. They rocked!

I have just read Oils drummer Rob Hirst’s highly entertaining book, Willie’s Bar & Grill: A rock ‘n’ roll tour of North America in the Age of Terror.

Midnight Oil had a tour of the US all ready to go when the horror of 9/11 occurred. They decided to go ahead with the schedule and Hirst’s observations of the US at that time are very insightful and quite poignant.

There is also a great deal of humour. Describing Las Vegas, Hirst says “it’s like the audience from the Jerry Springer Show let loose on the set of a James Bond movie”.

Midnight Oil are, sadly, no more. Peter Garrett found a new career in politics but the remaining band members, along with Brian Ritchie  (ex Violent Femmes) as replacement bass player, formed The Break, a surf instrumental band.

We saw them play at the Espy in Melbourne. They not only rocked, they were having an absolute ball, all of them smiling away with Rob Hirst grinning the most (as you’d expect a drummer in a surf band would!)…

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Midnight Oil, Arkaba Hotel Adelaide 1980