I’m getting excited. The Ballarat International Foto Biennale, a celebration of all things photographic, begins on August 22nd.

With its core artist program, fringe exhibitions, workshops, folio reviews and much more, BIFB 2015 is promising to be the best yet.

Once again, as part of the Fringe, I will be exhibiting at Gallery On Sturt. The theme for my show, Time Lapsed, will be memory and time.

Late one night, feeling bored, I watched the movie The Rover starring Guy Pearce (which I enjoyed – I’ll watch almost anything set in the Australian bush). There is a scene where Pearce’s character enters an old building and I found myself thinking, “I know that place”. After some head scratching I realised the building in question was the old pub at Hammond, a ghost town on the Willochra Plain in the Mid North of South Australia.


Hammond Pub

Hammond Pub 1992

Seeing this I was filled with the urge to visit the Mid North, an area I feel a real connection to. This stems from having spent a lot time travelling and photographing in the region, mostly during the 90s. Many of the resulting photographs were included in my exhibition Postcards from forgotten places held at the Flinders University Art Museum in 2006/7.


Terowie 1996 (from Postcards from forgotten places)

My wish to revisit a few of these sites (some of which I hadn’t seen for twenty years) was soon granted when, not long after that late night in front of the TV, my friend Mike and I headed up the Main North Road for a quick road trip around the Mid North.


Murray Town 2015

We had a great time and it occurred to me that it would be good to rephotograph some of the subjects I’d shot previously. This led to me contemplating the themes of time and memory and realising that I had an exhibition in the making.

I found it interesting to see sites visited in the past, contemplating my recollections of them and how they appear to me now. The weather, the light, one’s state of mind and even who you are with at the time can influence memories of a place. Revisiting that place one might find those memories challenged. Differences in the above factors along with changes in the place itself, however subtle, and even changes that may have occurred in one’s self, can help create a new perspective and, in turn, new memories.

Booloroo Centre 1995

Booleroo Centre 1995

Twenty years is a reasonably long time. In that period there have been many changes in the world including the emergence of digital technology. I couldn’t have imagined on my first visits that I would one day return with a digital camera.

Booloroo Centre 2015

Booleroo Centre 2015

Of course, the digital revolution is of only minor significance compared with all the political upheavals, financial crises, acts of terrorism and natural disasters that have occurred in the last two decades.

However, in parts of the Mid North, where things have barely changed at all, it’s as though time has stood still. All the madness and chaos of the outside world have barely registered. This all makes for a nice place to retreat to for a while.


Black Rock 1995


Black Rock 2015


Deja Vu

While recently revisiting and scanning some old black and white negatives, I remembered something I’d read years ago back in my darkroom days.

If I remember correctly it was Eddie Ephraums who wrote something to this effect, ‘producing a print in the darkroom should be more than just a technical exercise. To produce a print that has emotional impact it helps to be in the time and place, in your mind, that you were in when you took the photograph.’

I thought this very good advice and  tried to put it into practice while doing this recent scanning and post production. It took quite some effort though. Scanning black and white negs is certainly a different beast to working in the darkroom! I used to think I was meticulous with taking care of my negatives, but the amount of dust and scratches scanning shows up certainly put that myth to rest.

Still, the amount of time spent cloning out dust and scratch marks (and trying to minimise digital noise) was worth the effort.

I am glad to say that I was taken back to the time and place where the photographs were taken (listening to the right music certainly helps). Some very fond memories!

I hope to self publish a book of some of my favourite black and white (film) images in the near future.


The night time is the right time

I go through stages where I try to avoid looking at other photographer’s work, simply because there are times when I want to avoid being too influenced by what other people are doing.

Like most photographers, I like to think that my work is unique but of course there are going to be times when I can’t help but follow current trends, especially if it is something that I like.

Something I have been seeing a lot of  lately is very good photographs taken in the evening or at night.

So, here are a few of my recent efforts . . .

West Richmond Station

West Richmond Station

Smith Street Richmond

Smith Street Richmond

Mundi Mundi Plain

Mundi Mundi Plains

“I just love black and white . . .”

PrintW_Bool drive_120712_0005 as Smart Object-1

God Is Everywhere  2012

Pre digital I had a strong preference for shooting black and white film. There were a few reasons for this, the main one being that I felt I had a lot of control over the final product. Through careful exposure and development I would ideally produce a good negative from which to print in the darkroom. Here, of course, is where the magic happened. Good choice of paper and chemistry, cropping, dodging, burning in, toning and all the little tricks one could apply to interpret the negative and, hopefully, produce something of substance, and even perhaps, beauty.

With colour, of course, I didn’t have this kind of control. I did shoot a fair amount of colour transparency (slide film) but often felt that all I was doing was producing ‘pretty pictures’. I would many times have an image in my minds eye of what I would like to be able to see, as a colour print, but the limitations of the materials available at the time wouldn’t allow it.

I always found it amusing that when I would tell people that I liked to work with black a white, they would often respond with ” ooh, I just love black and white!”. I have a theory about this and it is simply, that a monotone photograph is a lot easier to ‘read’ and to understand than a colour photograph. During the seventies and eighties, there were a number of photographers working in colour whose images I greatly admired. Stephen Shore and Joel Meyerowitz were two in particular who demonstrated to me how sophisticated colour photography could be and, in the process, convinced me that I was better off sticking with black and white!

I don’t know that my understanding of colour has improved any, but with the coming of the digital age working with it has completely opened up for me. I love it. Being able to pre-visualise an image, in colour, and having the tools to create it, is for me, the marvel of digital photography. Even worth all the pain of having to learn a whole new bunch of tricks (and we are talking about a fairly old dog here!).

Still, black and white still has great appeal for me. There are some photographs that just scream out for it.